I also briefly discuss using the converted DNGs in other software. I also have a section in this chapter on what you may need to do in Lightroom after processing the images in X-Transformer. The Lightroom settings are also included as Lightroom Presets. Each recipe is a set of suggestions for parameters to set in X-Transformer along with a set of corresponding settings for Lightroom. In this chapter, I have devised 4 sets of “Recipes” for using the software in conjunction with Lightroom. Where appropriate, I also note my own observations on what various settings may do to the image. I go through the interface, and explain in as plain English as possible, what each of the various parameters does. I also provide a section on understanding what each of the settings does. In this chapter, I provide details of the best way to go about using the software, and I know some important things that you should know about the order in which you should do things when using it. I also discuss the limitations of the software and what to expect (see extract above) Chapter One: Using X-Transformer This is an important technical basis for understanding how the software is able to do what it does. In the introduction, I talk about the software and what it does.I also provide an overview of how Raw files work, the difference between a Fuji and standard Raw file, and how the DNG format works. Here is a breakdown of what’s in each chapter: Introduction It also contains a set of bonus Lightroom presets which are designed to work with some of the suggestions included in the book. The guide is not too long and is 39 pages, broken down into 3 chapters and an introduction. Please Note: This guide will not receive further updates in its current form.ĭetails of the chapters, and what’s included This guide aims to provide you with a roadmap through those options and provide you with some recipes to get you started with the software.Ĭurrently Written To support up to version 1.6.x of X-Transformer. While it may seem like a simple application, the number of parameters available make for a lot of possible options when using it. at least that's the hope here.This guide is designed to help you understand and get the best results from using Iridient’s X-Transformer Software in Conjunction with Lightroom to process Fuji X-Trans raw files. But Fuji's in-camera JPEGs and film simulations may tip the balance back toward digital originals. I kept a hybrid workflow scanning and pp and then ink printing, so I never really left. Beautiful! and designed with digital hybrid clearly in mind. Kodak's E100 rebuild of Ektachrome 100 has been an amazing film. I see software for PP as part of the reason I went back to film - for simplicity. Maybe less true now than yeas back, but still. But the comment that resonates with me as an ex-Linux user on the interface is really spot on: Linux (open source) stuff is more often than not aimed at folks who have a heavy software bent, and really really want to design their own user interface. Darktable has a core base of fans who I have nothing but respect for, and I've heard a lot of good things over at Photrio and LargeFormatForum. See now that it's not, and wonder about it's advantages/disadvantages. That said, I've always been curious about Iridient Developer but back in my FUJI round one days, it was only MAC. Conecolor inks and an Epson printer can save a bundle over the OEM inks! if you can swing it, and printing is important enough to your workflow. CO however remains top notch for color handling IMHO, and decent at printing - though I've used PiezoPro (for B&W) and Imageprint and recommend those even more, too. This still is going to be the key to refining photos you really want, so I've got to get that figured. My interest was really in PS's masking tech because Capture One's didn't work all that well for me (or to rephrase that, my skills in using their mask making - also called "layers" - were primitive. But I haven't gone full rounds with PS either. Very granular and pixel oriented that it is. Using LF 4X5 opened my mind up to Photoshop, but can't say I liked it all that much. ever since my FUJI cameras some years back and CO version 8.
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